Wednesday, 25 June 2014

"CHEF" - A New Film Report

This baby's a winner! I liked everything! The story clicked every minute-- from the first jazzy scenes where you see the chef and his assistants getting ready for another upscale night in the life of a Los Angeles fine restaurant. But soon we glimpse the chef at odds with the owner. The chef needs to release his real creativity in the menu he presents to his patrons- while the owner demands that he stick with the surefire winners that have made them both successful.
This conflict comes to a head when the word gets out that the biggest food critic in L.A. is due to make an appearance. The chef feels he must show this guy his rich- new creations. "Oh, no you don't!" shouts the owner... "Do what I say or get yourself another job."... The chef does what he says. Then writes the review by the critic: L.A. is treated to a mean lambasting of the food he's eaten.
That's the straw that breaks the chef's back. It's now or never: The chef fiercely tweets out to the critic to visit again, and dine on the kind of food he'll get nowhere else. (But the words he uses are crude.) Still, Twitter is social media and many pick up this text and swarm in, too. Here, again, the owner stands in the way of the chef's new menu. But this time the chef doesn't budge and gets himself fired. Later-- while the critic sourly ingests a meal he's despising-- the chef appears and says how his like-with no risk himself-- kills the spirit of chefs' likes who work their tails off.
Of course his rant goes viral on YouTube, and Chef becomes the laughing stock of the folks in L.A. He is washed-up, so far as being a chef in that area. His co-workers encourage him: "You haven't been happy working for this owner... Set out and cook food you would love... " (Easier said than done) He has no idea how that abstract wish can lead to loved livelihood. (Adventure starts when nothing's clear.) That makes this film a pure joy to experience.
So far, we've talked about the chef- Carl Casper-(played by an intensive Jon Favreau), and the owner, Dustin Hoffman. From here on we get to know Casper's really sweet ten year old son, Percy (played by Emjay Anthony), who I really loved seeing. This kid's been a tad neglected by his workaholic father, but you can see quite vividly how he eats up the attention he gets when he can get any. We also start to hear more from Inez, Carl's divorced wife (Sofia Vergara), Martin, Carl's line cook and buddy, (John Leguizamo), and reflect on the poise of Molly (Scarlett Johansson) who has been Carl's confidante while he was working at the restaurant. "I'm f*cking lost", Carl tells her right after his firing has happened. "That's a good place to start," she says.
Well, it turns out that Carl's ex-wife's ex-husband can set Carl up with an old food truck; and while Carl never thought much of 'chefing' like that, he now begins setting it up. And who pitches in but his son and his line cook? The music in "CHEF" is loud and energetic and full of enthusiasm. And the success these three guys share as they drive from where they started (in Miami) back to L.A. is great to watch. Is there anything more rewarding to this chef than a crowd of folks gathering in long lines shelling out cash and gobbling up his great Cubanos? This is a film where the Director of Photography (Kramer Morgenthau) grasps the real essence of how a chef excels and participates in the orgy of preparation.
There's a touching scene where Carl takes his son aside--and sire to son--admits that he has failed in his marriage and been a poor father, but in 'chefing' he knows he's great. And he tells Percy that surely he could teach him that, so he, too, could be a chef. Does he think he'd like that? With his mop of hair and little boy's face, Percy nods, "Yes." The chemistry between father and son is quite astonishing. I mean, it's real! And the chemistry with all the other actors struck me as near perfect as well.
One tip I learned but have not bothered to check out- (and this is for the male readers): If you're driving a long distance and you feel a cramped sweltering in the-you-know-where-area, you might follow the practice of Martin, and then Carl and even Percy, and pour a bit of corn starch right down there!
... Jon Favreau not only portrays the key actor in "CHEF", but he also wrote and well directed this splendid film. I won't reveal the end, but it joins everything in a way that won't disappoint. I'm happy to report: the audience was so moved that they clapped as "CHEF" ended. I'll do my clapping now, with a top grade of EIGHT. For a fun film, "CHEF's" one to see.
What My Grade Grants:
8.) "About as good as it could get."
7.) "Lacking that bit of excellence."
6.) "Somehow it just didn't work well."
5.) "I have to feel bad about it."
4.) "All that work and nothing to show."
Creator of "The Wizard's Outrageous Scheme For Stopping Smoking", Humbler Acts reports one film every week as relaxation from his speaking and writing on stopping smoking through dream use and Seven Forces. He's American, English-educated, residing in St. Louis, MO (USA). He can be reached: humbleracts@aol.com or telephone: 314-574-7681.



Article Source: http://EzineArticles.com/8543714

Tuesday, 24 June 2014

WORDS AND PICTURES

Seeing "WORDS AND PICTURES" is like glancing backward to established Eastern prep schools where male students wore those crested jackets and the female students dressed tastefully. Those were schools where teachers often challenged students with harsh language and challenging assignments. Are prep schools like those still existing? It all seems like the bygone days. For the sake of students I hope there are places like Croyden in Maine yet in play.

This film shows what erupts when you get some English Honors Class head, who's primed to drill into the ears of kids: noble poetry and novel writing to stir their minds. He's afraid they are brain-dead from the resources they nosh on in swift computers that won't stimulate them to fresh thinking, themselves. In his mind, WORDS-- we create-are civilization's mark.
Ah... but hang on! Into this school newly arrives a known painter who is crippled from arthritis and has had to forego an active role in the public art world. She has come to Croyden-principally-- to endow joy and passion for PICTURES to the Art Honors Class. She challenges them to truly experience that rush we all get from PICTURES.. Her stern outlook on the world is that PICTURES show us truth; whereas WORDS convey lies.
Soon at Croyden a war breaks out between his faith in WORDS and her love of PICTURES. Each teacher must ensure the best creation from class shall be shown to the student body, who'll vote WORDS? or PICTURES? I sensed deep down each of these teachers and each class suspects that there will not really be a winner, but the challenge will produce the best that WORDS and PICTURES can boast.

Dina Delsanto-played by Juliette Binoche- is the painter, and Jack Marcus- played by Clive Owen-is the English teacher. Each of these teachers lives with baggage- some good and some bad: Jack has a drinking problem, which is slowly eroding his ability to show his creative writing-- though, certainly in his recent past he has shown himself to be a poet with public acclaim. Ms. Delsanto has been sadly inured by crippling arthritis- requiring her to get around with a right shoulder crutch. Unable to use her hands, arms, back and body to execute the kind of mammoth-sized PICTURES she paints, she has been unable to significantly work-even find heart to work. The film connects Dina and Jack negatively to each other... so the battle they're waging between their two classes impinges on the war waged with each other.
Fred Schepisi is the director of this film; and I thought his sequencing and episodic events kept things interesting. Jack has a son, Tony (played by Christian Schneider), who is terribly concerned with his dad's drinking--which surely lends credence to the horror that Jack's own life must hold. Ms. Delsanto has a pupil-- Emily (portrayed byValerie Tian)-whom she urges to strive much harder to force her own star-like talent more to the fore. Her deep passion might predict that Delsanto will soon be driven to serve her own creative muse at the right time.
The screenplay of this film-by Gerald Di Pego- is good enough-- though just maybe a tad artificial. He obviously feels wisely about both of the arts and shows us how students with the right atmosphere can be taught to flourish from and love the encouragement they can get from teachers. I couldn't help but think that much of this film was like a primer for young people: to believe in themselves by their ingesting successful creations of the past.
This is also a love story between Jack and Dina that has to pass through a number of toll booths-- which neither cares much about paying, until the very end.

A minor pang that I did sense was how the contest turned into something far from the way it was first ballyhooed. Yet, It did give me a feel-good acceptance of the student scene (with faculty): experiencing the WORDS presented-as well as the PICTURES by Emily and Delsanto's PICTURES. In truth, Binoche is by all reports an accomplished painter; and the pieces shown in the film-- with her executing them-- are in fact the real thing that she did without any faking.

The problem I had with the film- and it's really no big deal except just for me- is that the film really did try to touch on serious education matters and never dared go very deep. On the other end of the film spectrum, it is light comedy-- worth enjoying. My wife, who has seldom joined me on my film dates, came along this time and loved it. So somewhere between her love and my enjoyment may lie the truth. It's a SEVEN.

What My Grade Grants
8.) "About as good as it could get."
7.) "Lacking that bit of excellence."
6.) "Somehow it just didn't work well."
5.) "I have to feel bad about it."
4.) "All that work and nothing to show."

Creator of "The Wizard's Outrageous Scheme For Stopping Smoking", Humbler Acts reports one film every week as relaxation from his speaking and writing on stopping smoking through dream use and Seven Forces. He's American, English-educated, residing in St. Louis, MO (USA). He can be reached: humbleracts@aol.com or telephone: 314-574-7681.



Article Source: http://EzineArticles.com/8556689

Monday, 23 June 2014

Four Reasons Why The New Star Trek Movie Is Must Watch

47 years on and the reference to the Star Trek name still gives goose bumps to its die hard fans or should we call them the 'Trekkies'. After the inception of the series in the year 1966, the franchise which went on to gain a cult status among the movie goers and TV watchers, is still moving at 'warp' speed in making a place in the newer generation's heart. It might seem far-fetched (and a little creepy), but there are some real 'Sheldon Coopers' present in this world who might be mistaking their real lives for the 'Trekky' life. Does the latest reboot of the series- 'Star Trek into darkness'- live up to the Trekkies' expectations? We might as well answer that in Kling-on. Yes, it does. Here is everything that you (Trekkie or not) need to know about the latest version before you watch it on TV.
1. Guy Fest: With Chris Pine, Zachary Quinto, Karl Urban reprising their roles as Captain James T. Kirk, Primus Spock and Dr. Leonard "Bones" McCoy respectively and new addition of our very own Benedict 'Sherlock' Cumberbatch as the super villain 'Khan', the casting couldn't have been better (though as Indians, there is this nagging feeling that if it's a 'Khan', then it should have been a 'Khan' from Bollywood). Ladies, you have enough opportunities to feast your eyes on these super cool dudes (albeit, they mostly appear with their shirts on) and guys, you can feast your eyes on everything including the super cool dudes.
2. Amazing Opening Sequence: The emergence of USS Enterprise from the clouds and Spock saving the 'doomsday' planet Nibiru from extinction is a great beginning and an energetic introduction to the crew members that will set the pace for the rest of the movie.
3. A Super Bad 'bad Guy': Benedict Cumberbatch who plays the titular character in 'Sherlock' is appearing as the chilling bad guy called (No prizes for guessing) 'Khan' or 'Khan Noonien Singh' (yes, the name can not get more Indian than this) in this movie. Armed with the super sexy voice that he has, the good guys in the star ship are running a risk of being out-shined by him alone. All we can say to the die hard 'Trekkies' who have already watched the 1982 movie 'The Wrath of Khan', is that, you will not be disappointed!
4. Kirk-Spock Romance: One of the main highlights of any Star Trek movie is the chemistry between the dynamic duo (we can also call them the 'Jay and Viru' of star-ship USS Enterprise) Kirk and Spock. The friendship between the ever logical Spock and the hotheaded, adventure seeking Kirk have been captured wonderfully. Watch it specially for all the joking, bickering and getting into and out of sticky situations by both of them.You will enjoy immensely.
Maria Witwiky is a movie buff. I likes to write about Hollywood movies, television shows, documentaries, action movies and all that relates to entertainment.



Article Source: http://EzineArticles.com/8548577

Sunday, 22 June 2014

"X-Men: Days of Future Past" Wows Audiences With Fast-Paced Action and Emotional Depth

"X-Men: Days of Future Past" brings all of fans' favorite Marvel Comics mutants back to the big screen for a fast-paced saga that melds the future with the past. Directed by Bryan Singer, "X-Men: Days of Future Past" takes the audience on an action-packed adventure from a future time that threatens the existence of both mutants and humans to the distant 1970s with hopes that the current future can be changed. Strong, emotional characterizations and a close connection with the mutant characters makes this film a winner for both X-Men fans and general audiences.
"X-Men: Days of Future Past" opens in a dystopian future in which a formidable race of robots known as Sentinels are terrorizing the world. Originally created to destroy mutants, the robotic race is now attacking humans in general and threatening the future of all life on earth. The X-Men gather together to come up with a plan to fight this menace. The solution lies in a return to the past to change events so that the Sentinels will never be developed.
The job of changing the past falls on Wolverine, and much of the rest of the movie takes place in 1973 when the younger Wolverine, inhabited by the consciousness of the future Wolverine, works to convince Charles Xavier and Magneto to work together to save the future. Time cues involving technology, music and character appearance do a good job of showing which time frame is being presented in specific scenes. The plot works to integrate both old and new X-Men characters and includes many references to other X-Men film and comic book plots. Not all of the mutants have a lot of screen time or important roles, but the flawless integration of so many favorites will please old and new X-Men fans looking for a character fix.
Hugh Jackman as Wolverine is the star of the film. His convincing performance focuses on Wolverine's inner strength as he navigates two different worlds working to remain strong and steady while trying to convince a variety of personalities to work together. James McAvoy as the young Charles Xavier and Michael Fassbender as the young Magneto play strong supporting roles. Excellent chemistry between the trio increases the believability of the plot as Wolverine works to build his case for the necessity of preventing the future from which he has returned.
Another notable performance comes from Evan Peters as Quicksilver. His fast-paced action scenes steal the show with the addition of realistic choreography and stunning visual effects. Quality, fast-paced dialogue provides a wonderful match for Quicksilver's quick movements and show a quirky, fun side to the character. Peter Dinklage brings villain Bolivar Trask to life as a three-dimensional character with both strengths and weaknesses, and Jennifer Lawrence brings emotional depth to the role of Mystique. Depending on the scene, Lawrence alternately shows Mystique's dark, evil side as well as a more human sympathetic side that gives audiences a deeper understanding of her personality.
"X-Men: Days of Future Past" combines the fast-paced fun of a superhero movie with the emotional involvement of a more serious drama. All of the film's elements work together to heighten the viewer's emotional response. A rousing score by John Ottman brings back musical themes from some of the other X-Men movies to provide continuity to the film. A combination of great digital effects and traditional staging bring to life a wide range of over-the-top scenes in a realistic manner. Digital effects also enhance the appearance of the Sentinels, driving home their scare factor and increasing the urgency of Wolverine's errand.
Underlying the fun action-adventure feel of "X-Men: Days of Future Past" is a serious theme. The Sentinels were developed in reaction to humanity's fear of the unknown, and this fear flickers underneath much of the plot of the movie, giving it depth. A secondary theme is the power of hope. The X-Men of the future derive strength from the hope of a changed past, and the X-Men of the past learn to hope again as they come to believe Wolverine.
"X-Men: Days of Future Past" ends with a glimpse towards a sequel, "X-Men: Apocalypse," which is set to be released in 2016. Foreshadowing throughout the movie hints towards more past and future interplay in the upcoming release. If "X-Men: Days of Future Past" is any indication, the new film should further show the live-action comic book adaptation as more than a fun action film for fans. It is truly a well-developed movie in its own right.
For the past 6 years, Zack Mandell has been a contributing writer for Gossip Center's general entertainment news department. In addition, he currently owns and manages the movie website, http://www.movieroomreviews.com.



Article Source: http://EzineArticles.com/8547569

Saturday, 21 June 2014

What Makes Los Angeles the Perfect City to Film Movies?

Movies are as memorable as the fleeting images they leave audiences. Aside from the heartfelt dialogue, spot-on movie score, and great acting, a movie draws its impact from a great location.
Filming locations in Los Angeles are among the most favorite places to shoot movies, commercials and even for photography sessions. Aside from the vast selection of sets, their proximity to production offices and studios provides convenience. In this article, we will be counting down the reasons why this city is the best place to search for film locations.
1. The possibility of finding a new location is endless!
Los Angeles is popular for its mix of urban and country-side. It is similar to looking at two sides of the coin. Film location scouts are often enthralled by the scenic views provided by the city, the same being drawn to building architectures and historical streets.
Filming locations in Los Angeles are not limited to white-sandy beaches or spacious green parks. There are a lot of residences that can be used for filming, whether it's for movies or for TV shows. Even simple downtown run-in diners or stores can also be used. The whole Los Angeles can be considered as one big studio filled with every area providing the best props and backgrounds the production need. A simple street is turned into an iconic filming location like Sunset Boulevard. Los Angeles is a gold mine for location scouts.
2. Filming locations in Los Angeles are fit for long hours of productions.
As the entertainment capital of the world, film shootings are a normal, everyday, thing. You would see numerous production teams set up in certain areas in the city. This is the reason why homeowners even consider residential filming location rentals as a good passive source of income.
Most of the areas in Los Angeles, including infrastructures, are designed to entertain longer hours (and days) of filming production. Those who offer their property for filming used even ensure their place to provide convenience in terms of equipment installation, parking, and amenities. Extra rooms are even open for the team to use as offices and sleeping areas.
3. The cast and crew don't need to go very far.
Most people who are in the filming industry lives in Los Angeles. The city is packed with production companies, studios, and entertainment centers. For both cast and crew, filming out of town extra effort to book flights days before they would shoot scenes, and booking accommodations. They also need to secure and ready the location to shoot. While a well-planned action can lessen the possibility of problems arising, flights and hotel arrangements may provide inconvenience. Delayed flights and reservation mix-ups can occur. There's also the weather to worry about.
Filming within the city can provide convenience from travelling and preparing items to bring. The team doesn't need to face blizzards since Los Angeles enjoys fair weather most of the time. It is more time-convenient too.
Filming locations in Los Angeles is indeed ideal. Scouts can only worry selecting the best spots where the whole team can feel most convenient with. The city is truly the best place to shoot movies.
5401olympic.com offers you one of the most convenient houses to film your movies. Find the perfect filming location in LA here with us.



Article Source: http://EzineArticles.com/8553323

Friday, 20 June 2014

The Hunger Games (2012)

The Hunger Games is a film based on a novel by Suzanne Collins. That novel tells the story of Katniss Everdeen, a poor girl who illegally hunts in the woods near her home to support her starving family. She and her family live in District 12 of Panem, a nation existing in a post-apocalyptic North America. Every year,

Thursday, 19 June 2014

A Movie - A Criticism of Bruce Conner's 1956 Short

'A Movie' is an anti-film and its aim is to generate an emotional mood and an intellectual response among its audience members - the title itself is upside down in one frame, as if it is telling the audience how different the experience is going to be. Some expressions I would use